The Pansori Epic Chant

　　Threatened by Korea's rapid modernization, Pansori was designated a National Intangible Cultural Property in 1964. This measure spurred generous institutional support, which in turn fostered the revival of this cherished tradition. Pansori continues to provide inspiration for new works in various media such as film, ballet and puppet theatre. These productions, as well as Pansori itself, are performed regularly in Korea and at festivals abroad. Although Pansori remains one of the best-loved genres within the increasingly marginalized sphere of traditional stage arts, it has lost much of its original spontaneous character. Ironically, this recent evolution results directly from the preservation process itself, for improvisation tends to be stifled by the increasing number of written repertoires. Indeed, nowadays few singers can successfully improvise, and contemporary audiences are less receptive to the impromptu creativity and the archaic language of traditional Pansori.

　　Seasoned performers will establish partnerships with schools and universities with a view to generating interest among young people. The traditional apprenticeship will be systematized and formally recognized, thus allowing students to receive complete training and a university degree. Local and regional centers for Korean traditional music will be created to provide suitable venues for Pansori performances.