
The Royal Ballet practically ceased to exist under the repressive rule of the Khmer Rouge, who eliminated almost all master dancers and musicians. Immediately after Pol Pot's defeat in 1979, dance troupes re-emerged and performances of the ancient repertory resumed. Classical dance, once again officially associated with Cambodia's king and religion, played a central role in re-forging a national identity. In recent years, the ballet has regained much of its former splendor, yet it faces numerous difficulties, such as lack of funding and suitable performance spaces, competition from modern media, and the risk of being transformed into a mere tourist attraction. Only a few surviving masters possess intimate knowledge of all aspects of this rich tradition.
The action plan aims to promote research and publications as well as to
expand the Royal Ballet's repertory. Additional objectives include: developing
teaching opportunities for professionals as well as amateurs; supporting
national, regional and private troupes; and reinforcing legal protection for
performers. Dance festivals will be organized with a view to enhancing public
awareness and appreciation of the Royal Ballet.