
Proclamation: 2003
Member State(s): Vanuatu
Region: Asia-Pacific
Associated themes: Traditional knowledge and know-how
Situated in the South Pacific some 2,000 kilometers northeast of Sydney, the Vanuatu archipelago has managed to preserve its unique and complex tradition of sand drawing. More than an indigenous artistic expression, this multifunctional "writing" occurs in a wide range of ritual, contemplative and communicative contexts.
The drawings are produced by trained specialists directly on the ground, in
sand, volcanic ash or clay. Using one finger, the drawer traces a continuous
meandering line on an invisible grid to produce a graceful, often symmetrical,
composition of geometric patterns. This rich and dynamic graphic tradition has
developed as a means of communication among the members of some 80 different
language groups inhabiting the central and northern islands of Vanuatu. The
drawings also function as mnemonic devices to record and transmit rituals,
mythological lore and a wealth of oral information about local histories,
cosmologies, kinship systems, song cycles, farming techniques, architectural and
craft design, and choreographic patterns. Most sand drawings possess several
functions and layers of meaning: they can be "read" as artistic works,
repositories of information, illustration for stories, signatures, or simply
messages and objects of contemplation. Since sand drawings are not merely
"pictures," but delicate webs of interconnected songs, stories, and knowledge
with sacred and profane meanings, a master sand drawer must possess not only an
intimate knowledge of graphic patterns but also a deep understanding of their
significance. In addition, he must be capable of interpreting the drawings for
spectators.