Hundreds of festivals are organized in each settlement, town or village during the Dussehra festival season celebrating Rama's return from exile. Ramlila is particularly focused on recalling the battle between Rama and Ravana and consists of a series of dialogues between the gods, sages and the faithful. Ramlila's dramatic force stems from the succession of icons representing the climax of each scene. The audience is constantly invited to sing and take part in the narration. The cycle of plays culminates with Diwali, the festival of light, the moment when the effigy of Ravana is burned, symbolizing the victory of good over evil. The Ramlila brings the whole population together, without distinction of caste, religion or age. The play is also characterized by the spontaneity with which all the villagers participate, playing roles or taking part in all kinds of activities involved in the performances, such as making the masks, costumes, doing the make-up, effigies, and lights.
In families that have traditionally been engaged in these performances, the young members are no longer keen to take over because of the lack of artistic recognition and the limited remuneration. The growth of the mass media, particularly television soap-operas, is leading to a reduction in the normal audience for the Ramlila plays, which are therefore losing their main role of bringing people and different communities together.