About Biennale Cinema

　　The second Festival was held from 1 to 20 August 1934 and for the first time it included a competition. 19 countries took part with over 300 accredited journalists. The "Coppa Mussolini" was introduced for best foreign film and best Italian film; however there was no actual jury.

　　The awards were assigned by the President of the Biennale, after listening to the opinions of both experts and audiences, and in accordance with the "National Institute for Educational Cinema", branch of the Society of Nations based in Rome. Other awards were the "Great Gold Medals of the National Fascist Association for Entertainment" to best actor and actress. The prize for best foreign film to Flaherty's Man of Aran, was a confirmation of the taste of the time for auteur documentaries.

　　As of 1935 the Festival became a yearly event (a clear sign of its international success) under the direction of Ottavio Croze. There was an increase in the number of films and countries participating, and the actors' award was renamed "Coppa Volpi". In 1936 an international jury was nominated for the first time and in 1937 the new Palazzo del Cinema was inaugurated (designed by the architect Luigi Quagliata), after a record construction time in line with the modernist trends of the era; with the exception of the years 1940 to 1948, it has hosted the Festival ever since. The Festival expanded: the number of participating countries increased as did the number of films accepted. 1938 meant the first retrospective, devoted to French cinema from 1891 to 1933. Marlene Dietrich came to the Lido, consecrating the star worship that accompanied the Festival.

　　As regards foreign films, selected by their respective countries until 1956, French cinema in particular, the '30s saw masterpieces the likes of René Clair's A nous la liberté (1932) and Duvivier's Un carnet de bal (1937), La grande illusion (1937) by Renoir, Quai des brumes (1938) and Le jour se lève (1939) by Marcel Carnè. The Italian award-winning films between 1937 and 1942 were works of propaganda, but by outstanding directors such as Goffredo Alessandrini and Augusto Genina. The Festival was held three times during the Second World War, from 1940 to 1942 (not counted in the total number of festivals), with screenings temporarily held at the cinema San Marco in Venice, and participation limited to the member countries or sympathisers with the Alliance.