
Poster in 1905

Poster in 2005
The protests of 1968 marked a crisis for the Biennale; the Grand Prizes were abandoned and more emphasis went to thematic exhibitions instead of monographic ones. The 1974 edition was entirely dedicated to Chile, as a major cultural protest against the dictatorship of Augusto Pinochet. New prizes - Golden Lions, like the awards for the Venice Film Festival - were installed; postmodern art entered the scene with increasingly varied and popular exhibitions.
During the later 1990s Harald Szeeman was chief curator
bringing in a larger representation of artists from Asia.